John Huston made better, more powerful films than The African Queen, but none so universally beloved, on first appearance and over the decades since. In this adaptation of the C.S. Forester novel, Humphrey Bogart (who would win the best-actor Oscar®) and Katharine Hepburn costar as an unlikely pair thrown together in German East Africa during the First World War. He's the gin-soaked skipper of what we might call the title character, a none-too-reliable steam launch chugging along the backwaters of the ""Dark Continent."" Hepburn's a straitlaced Methodist missionary who, following the demise of her bachelor brother (Robert Morley) and the burning of their village by Kaiser Wilhelm's troops, determines that the Queen should be used to attack the Königin Luise, a large German gunboat patrolling a lake downriver. It's an absurd proposition. Then again, John Huston and the absurd were always on familiar terms.
It wasn't until he got to the Congo that the director realized what a funny picture The African Queen was going to be, thanks to the odd coupling of Bogie and Kate: ""One brought out a vein of humor in the other, and this comic sense, which had been missing from the book and screenplay, grew out of our day-to-day shooting."" Within the gunwales of a not-very-large boat, Huston managed to devise myriad ways to keep his two leading characters on separate visual planes even as circumstance and tender emotional urgency conspired to push them together. This was Huston's first feature film in Technicolor, and the peerless Jack Cardiff (The Red Shoes) was there to shoot it. Unfortunately, neither of them could do anything about the process-screen technology needed for, and glaringly inadequate to, the sequence of Bogart and Hepburn shooting the rapids--just about the only lapse in an enchanting fairy tale for adults. The script is credited to Huston and James Agee; the uncredited Peter Viertel, summoned to the African locations to write some additional material, would later fictionalize the experience as White Hunter, Black Heart, a savage roman à clef. --Richard T. Jameson
Customer Reviews:
Avg. Customer Rating: 4.5 / 5.0
Love the movie, hate the print I've enjoyed this film for years, and was delighted when I found it was finally available on DVD. Unfortunately, when I got the Asian print ( a fact which my supplier did not mention), I found that its quality resembles a cell-phone camera pirate print. My advise to y'all is to wait for a better version. When a good one comes out, I'll be throwing the one I bought away.
Best of the best The African Queen has quality from start to finish. The actors are people who can actually act and do so at a very high level. The scenes were shot on location though the scenes of the boat rushing through whitewater were clearly not up to today's level of faking. The dialogue was excellent with just the right mix of humor and drama. I had to settle for VHS instead of DVD for now but quite pleased to add such a quality movie to my personal collection.
Charlie's Angel The film opens at a tropical forest (bird calls) in German East Africa, September 1914. There is a missionary chapel in a village where the minister and his sister lead the congregation in a song. (Some don't look too religious to me.) A small steamboat approaches. [Is it too small to carry much cargo?] A brawl outside attracts the men from the chapel. The captain isn't too silent. [Can a minister be promoted if he marries wealth?] The war will delay the mail. Enemy aliens can be imprisoned. [The captain's... more info
Good, good old movie Forgot how good older movies can be? This one will take you back to when movies didn't have to have sex or cursing to be entertaining. Glad I bought it.
John
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